A / 全片最值得回味的恐怕并不是诸多人物梳理坦承错杂心迹的时刻而是谎言真正开始编织的那一刻——这一刻的促发者并非成年人而是突然决定上楼帮助大人隐瞒的男孩哪怕在真相向宝莲展开时专门给了她一个凝视(or“揭示”)面容的推镜她依然不知道也不再去在意男孩那一刹那的选择到底是为什么或许侯麦所称的“言多必失”原因并不在于言语能够厘清真相而在于纷繁的言语总会反向地残留或创造出一些剩余——就像剥去了时间、永远向人们敞开又永远蕴含奇遇的海滩一样
Reducing the plot to barely nothing and no special effects, Tarkovsky relied on his materialistic style to create a unique nonlinear visual experience. Outside reality, just like the Zone, wouldn't be more coherent in its maddening uncertainties.